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I have divided feelings towards their post-83/onwards era work myself - meaning some of the work is decent (personally, I enjoy some of it in the wake of 'Sparkle In the Rain' and 'Once Upon a Time'), the rest I find sadly a victim of its own pomposity ('Street Fighting Years' being a somewhat obvious example that is on my black list, too). Not because the earlier work is 'oh-so-arty' that everyone these days continuously raves about, but because of the potential the group showed on those - forever loved - first five albums; the potential later seemed to have been sacrificed for the sheer stadium appeal of their music, past or present. And let's not shy away from the fact, their music always seemed to have aimed for that kind of exposure. Ever since 'Life In a Day'. Of course, earlier Minds' records will forever sound far more adventurous, listeners discovering something new with every spin - something their later, more polished but just as pompous material lacks in large quantities despite the group's great playing skill always remains in place. Sadly this is always the same story - groups come along, we expect them to stay 'uncommercial' or 'experimental', but where is the limit to this - or say, where to find the right key to success, be it creative or commercial.

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Simple Minds may have compromised theirs eons ago - blame it on 'breaking America' or the so-called 'U2 complex', but a certain quality keeps informing their (newer) work. But that's more got to do with a certain 'generation gap', people with different tastes approaching one such group's work. Sons and fascination. From their beginnings as a raw, glammed-up New Wave band in 1977 to their complex Alternative Rock of the present, Simple Minds has maintained a dramatic flair and a deep complexity in their constantly changing sound. Jim Kerr's vocals leap effortlessly from raw Punk raspiness to urgent emotional release while the rest of the band pits guitar distortion against saxophone leads and vaulting Gospel vocals against bubbling Synth Pop keyboards. Simple Minds' daring approach to the shifting sounds of the times has always raised the stakes for others.

Most bands these days would kill for a discography like Simple Minds, up to and including 'Sparkle In The Rain' which I think is a hugely under rated LP. Sure, the 'stadium' years were pretty pompous and over bearing. For me (and I bought the LP's when they came out) the early years from 'Empires.' Were some of the most interesting and inventive/creative reocords of that era. Mixing electronics and 'traditional' instrumentation with warped song structres. These guys were 'balearic' before most, and some of thier records still get played in clubs and at festivals to this day. My personal fave has to be 'New Gold Dream', if I had to reccomend 5 great LP's from the 80's this would be on that list.

Simple Minds Sparkle In The Rain Rar Download Pc

It's a beautiful and atmospheric tapestry of sounds and moods that still sounds light years ahead. How come no bands these days aspire to this kind of sound design? The closest anyone came was The Verve with some of their 'Storm In Heaven' LP which shared some similar textures but sadly lacked the great songwriting skill of SM. 'Sons Of Fascination/Sister Feelings.' Is another fantastic and strange album with unexpected noises and textures through out. Does exactly that, it shines like a bright summer morning, clear blue with a white hot sun. It's propulsive rhythm section giving the band a more muscular feel, while maintaining the decent song writing skills ('Waterfront', 'Book Of Brilliant Things') Do yourself a favour, get on ebay or discogs and grab some vinyl copies of the early LP's and treat yourself to a brace of some plain great albums.

Spawning from 'Johnny and the Self Abusers' in the late 70's, the early 'punk' era of Simple Minds brought them little recognition. Not surprising really, since the Sex Pistols had been killed off several years previously and nobody wanted anything to do with a resurgence of such an unmelodic genre. From this period the only track of real note was the epic 'Pleasantly Disturbed' ('Life in a Day', 1979). Later, with the release of their first iconic single 'Waterfront' from the outstanding, though underrated album, 'Sparkle in the Rain' (1984) they began to gain a fan base.

A more fluid, less rigid, musical style gave Kerr the chance to show the world he could actually sing. Resultantly, the band soon had a bigger live following than their fame, alone, could merit. In 1985 Jim Kerr, Charlie Burchill, and Michael MacNeil produced an album that elevated them to superstardom and Simple Minds could be considered 'the best band in the world'. Arguably the greatest pop/rock album ever written, 'Once Upon a Time' contained 5 hit records and no 'fillers', indeed, the title track and 'Come a Long Way' were exceptional recordings. Whether, or not, it garnered the critical acclaim it deserved is irrelevant.

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After a break of almost 5 years, not to discount the release of their live masterpiece ('Live in the City of Light', 1987), 1989 brought their forth consecutive album to debut at No.1 (UK). This time, the 'Street Fighting Years' LP gave (guitarist) Burchill a platform to showcase his talents, creating a unique, and immensely atmospheric, soundscape.

'The Ballad of the Streets EP', from the album, gave the group their only UK No.1, staying at the top of the charts for, seemingly, months. It was the title track, however, which showed the band at their very, very, best. Whether intentionally, or not, in the years since 'Once Upon a Time' Jim Kerr's voice has softened, first evident in 1989, and lacks the aggression it once had. The last creditable recordings by Simple Minds came way back in 1991, with 'See The Lights' and, once again, the customarily unreleased title track from 'Real Life'.

Life In A Day (Live @ Paris Theatre, London 8/8/79) 02. Chelsea Girl (Live @ Paris Theatre, London 8/8/79) 03. Here Comes The Fool (Live @ Paris Theatre, London 8/8/79) 04. Changeling (John Peel Session 19/12/79) 05. Premonition (John Peel Session 19/12/79) 06. Citizen (Dance Of Youth) (John Peel Session 19/12/79) 07. Room (John Peel Session 19/12/79) 08.

I Travel (Demo 1980) 09. Celebrate (Demo 1980) 10. Thirty Frames A Second (Demo 1980) 11. Twist/Run/Repulsion (Demo 1980) 12. Capitol City (Demo 1980) 13.

New Warm Skin (Demo 1980) 14. Constantinople Line (Demo 1980) 15. Careful In Career (Demo 1981). The American (Demo 1981) 02. Life In Oils (Demo 1981) 03. Sweat In Bullet (Demo 1981) 04.

Love Song (Demo 1981) 05. Promised You A Miracle (David Jensen Session 11/2/82) 06. In Trance As Mission (David Jensen Session 11/2/82) 07. Someone Somewhere (In Summertime) (David Jensen Session 13/2/82) 08. Glittering Prize (David Jensen Session 13/8/82) 09. Hunter And The Hunted (David Jensen Session 13/8/82) 10. The Kick Inside Of Me (David Jensen Session 11/9/83) 11.

New Gold Dream (81-82-83-84) Take Me To The River Light My Fire (Live At Barrowlands 5/1/85) 12. Don't You (Forget About Me) (Live Aid Rehearsal 10/7/85). Travelling Man (Barrowlands 13/8/91) 02. East At Easter (Barrowlands 13/8/91) 03. Bangin' On The Door (Barrowlands 13/8/91) 04. Stand By Love (Barrowlands 13/8/91) 05.

Oh Jungleland (Barrowlands 13/8/91) 06. King Is White And In The Crowd (Barrowlands 13/8/91) 07. Big Sleep (Barrowlands 13/8/91) 08. Let There Be Love (Barrowlands 13/8/91) 09.

Ghost Rider (Barrowlands 13/8/91) 10. Belfast Child (Barrowlands 13/8/91) 11. She's A River (Glasgow 10/9/95) 12. Up On The Catwalk (Glasgow 10/9/95) 13.

Hypnotised (Glasgow 10/9/95). CD 2: Extended Versions. Promised You A Miracle (Extended) 02. Seeing Out The Angel (Instrumental Remix) 03. Promised You A Miracle (US Remix) 04. Promised You A Miracle (US Dub) 05. Promised You A Miracle (US Special Extended Remix) 06.

Glittering Prize (Club Mix 12' Single) 07. Glittering Prize (Extended Theme) 08. Someone Somewhere In Summertime (Extended 12' Single) 09. New Gold Dream (German 12' Mix) 10. King Is White And In The Crowd (Instrumental) 11. New Gold Dream (German 12' Remix With Drums / Outtake) 12. In Every Heaven (Outtake).

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CD 5: Alternative Mixes, Roughs & Demos. Someone Somewhere In Summertime (Full Duration) 02. Colours Fly And Catherine Wheel (Full Duration Instrumental) 03. Promised You A Miracle (Remix For Album: Long) 04. Big Sleep (Instrumental) 05. In Every Heaven (Full Duration) 06.

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Somebody Up There Likes You (Full Duration Instrumental) 07. New Gold Dream (81,82,83,84) (Full Duration) 08. Hunter And The Hunted (Alternative Take) 09. King Is White And In The Crowd (Monitor Mix) 10. In Every Heaven (Early Version).